LINER NOTES: Blockbuster
We've visited the film soundtrack theme before, so it's important for us to find new ways to revisit this idea. Nate brought the word, "blockbuster," to the table, and that really shaped the evening. In the modern era of cinema, summer films are synonymous with 'blockbuster' or big box office smashes. Hence, we chose songs from summer films.
The framework was helpful because automatically a number of award-winning films (which, these days, tend to be released later in the year) were excluded. What remained were comparatively airy films, like Despicable Me, Superbad, and Guardians of the Galaxy. It helps that soundtracks in the modern era have become respectable commercial mixtapes, so mega-movies can reintroduce slick cuts like the Bar-Kays's "Too Hot to Stop" or the AM-nugget by Redbone, "Come and Get Your Love." Despicable Me and Scott Pilgrim vs. The World were two notable exceptions in that the films featured original soundtracks written primarily by Pharrell and Nigel Godrich, respectively. That said, these artist's pop background shines throughout the score work as they both wrote punchy, memorable songs that captured the mood of their respective films.
We took a broad approach to 'blockbuster,' allowing plenty of art house and, frankly, more obscure film soundtracks enter the mix. Buio Omega is a cult horror classic, but hardly mainstream like Anchorman. That said, we tried to include notable music moments from recognizable art house films, like the seemingly custom-written "Mao Mao" from La Chinoise, or Mulatu Astatke's hypnotic "Yègellé Tezeta" which repeats over the driving sequences in Broken Flowers.
Special consideration goes to our model, Rose, who has been incredibly inventive in her choice of costumes. For this night, she went for the Risky Business look, which was simple, instantly recognizable, and fun to draw from.
Rest assured, the well has not been tapped yet! We'll revisit soundtracks again soon.