LINER NOTES: Heroes
At an early Liner Notes (back when we were going by +DRAWING+MODEL+MUSIC+BEER+), we hit on an eureka moment. We found a theme that worked well with the modeling, soundtracks. The music covered Tarantino soundtracks and the model incorporated some recognizable poses from those films. Like, Amanda Plummer standing on the counter with the gun. That sorta thing.
Since then, we've seldom made this connection for logistic reasons. It simply requires more advance coordination between the model and music. However, we finally have the machine fine-tuned enough to explore this synchronicity more regularly. And we also have a new forum to share this with y'all via our new partnership with the 92nd Street Y. We'll be hosting their drawing sessions through Spring 2015.
Our first session at the Y took place on October 9 and the theme, "Heroes," worked well with both the model (who was dressed as Storm, from my all-time favorite comic title, The X-Men) and the time of the year (ComicCon in NYC). Ok, our machine is not fine-tuned enough that I have images to share here (yet!), so I'll do what I'm supposed to do and speak a bit on the music.
The music can be divided between two major themes: songs about a specific hero depiction (mostly comic book characters), and songs about the idea of heroism. The former category could arguably be more narrowly described as the "Superman" category because of the sheer abundance of songs about CK. Sure, there are songs about Batman, as well. But the vast majority of decent, listenable songs about a comic book character are about the Man of Steel (yes, Prince's "Batdance" is a notable exception, but I wasn't trying to pair that with a shitty Bow Wow song). So, the bulk of the picks focused on Superman or comic books, in general.
Highlights include the heavy fills in The Ides of March's "Superman" and the classic breaks of Johnny "Guitar" Watson's "Superman Lover." Suzi Quatro's "Official Suburbian Superman" gets special mention because it's a Suzi Quatro song, so it skirts neediness in favor of being on the prowl. Alicia and Stevie aren't referencing the DC character in their respective "Superwoman" joints, but the songs are alternately inspiring and insightful. That said, you would think there would be more songs about or references to non-DC characters by now. Comic books are such a mainstream phenomenon. So, Rick Springfield, of all people, gets highest mention for framing his 1973 sophomore album around being a comic book geek, like in the album opener, "Comic Book Heroes" (not on Spotify, but included in the YouTube playlist above):
There's times when real people let me downBallsy move from a square dude. Propers, sir.
When the temperature falls to zero
I curl up by the fire with a good book
And for a while I am a superhero
Understandably, rock stars have filled the void with songs that reflect their cosmic-level aspirations. Really, someone needs to explore the whole 'space' thing in the '70s, because I really don't see a distinction between Bowie and Parliament. Well, maybe a slightly different mix of drugs.
The remaining songs reflect my preference for anti-heroes and questions about hero worship. Anti-hero tales dovetail quite a bit with murder ballads, a theme I'd like to return to in the future, so I stayed away from the familiar Frankie and Johnny or Stagger Lee, and opted for the more modern Bonnie & Clyde. Pretty fun, because the tale runs through renegade country to pop stars On The Run. There are a number of thoughtful and brilliant songs that explore the idea of a hero, so this was the area that required significant hand-wringing. Paper Lace and Scott Walker's respective anti-war joints are certainly of their time, but remain sadly familiar today. Several groups with past heydays -- The B-52's, The Bangles and The Stranglers -- have songs that continue to resonate with disillusion and contempt.
Due to lack of time, we couldn't fully explore my favorite idea of the hero, the personal one. Sure, John Lennon's populist class statement is a bit hack (hence, I prefer Marianne Faithfull's dirge-like approach) and I don't regret skipping Common's sermon about "The People." However, the intimacy of Gil Scott-Heron's swan song, "I'll Take Care of You," screams of the need for compassion and help in the face of fragility. What a way to go out, brother Gil.
The night and set ended with a familiar joint, Bowie's "Heroes." I concede it's another hack choice, but I instead point your attention to the clip used in the YouTube playlist above. It's Bowie playing the song shortly after its initial release with his Isolar II tour line-up, which means Adrian Belew on guitar, Simon House on violin, and some absolutely crushing drum fills and kick-drum workouts from Dennis Davis. The lazy camera work is designed for TV and stays on Bowie most of the time (though Carlos Alomar swaying behind Bowie is very gif-worthy), which is a shame because you miss watching the band gradually breathe fire into this fantastic song. The whole clip is worth seven minutes of your time, but if you really need Cliff's Notes, just skip to Bowie's vocal work beginning at 3:29. Puts Mimi to shame. The song was fresh out the oven at the time, but you see here its potency.
These notes went up late, so I'll post on the November session next. In the meantime, enjoy the tunes from where ever you are and hope to see y'all at the next sesh.